Taking Back Sunday lighting designer Eric Price is the first to tour with Elation’s new SŌL I Blinder, integrating the tiny yet impactful LED light into the rock band’s set on their current North American outing. Celebrating their latest album, "152," the tour kicked off on May 19 in New Orleans and continues through the summer.
“I was looking for a low-profile blinder to skirt the risers, set pieces, and steps—something powerful, functional, and small enough to put on a pipe for easy travel, install, and pull—and the SŌL fit the bill,” Price said.
First shown at the LDI tradeshow in December, the SŌL I Blinder is not only compact and versatile enough to integrate into virtually any stage setting seamlessly, but its RGBLAW LED engine offers full-spectrum color and packs a punch at over 8000 lumens. Its modular design and various mounting options make for endless creative options.
Throwback aesthetic
Price and tour manager Andrew Sprague discussed design ideas with Taking Back Sunday vocalist Adam Lazzara, who Price says is very hands-on with the show's look. Looking back at styles as diverse as Queen shows of the 70s and the iconic sets of Soul Train, Price says Lazzara wanted a bold, traditional aesthetic with eye-catching looks on stage and minimal moving lights.
“Obviously, we weren’t going to bring out 100s of PAR cans, so we explored custom set pieces,” Price explained. “Looking at venue sizes and logistics, we needed something efficient and effective, and we settled on an idea of a lot of blinders.” After talking to Jason Reberski at lighting vendor JRLX and Ross Blitz at Elation, Price says he realized that the SŌL fixtures were an exciting option. “With few moving lights, we needed something with versatility, and the SŌL fit the need well.”
Skirted risers
The setup includes a 24-ft wide by a 4-ft tall riser with steps, a drum riser stage left, and a vocal riser stage right, all skirted with 44 SŌL I Blinder fixtures. The SŌL live on the pipe in racks of four, which clamp onto the back of the legs of the riser decks, a quick set-up and tear-down rigging plan that stage provider Gallagher and JRLX worked out. Elation SixBar 1000 LED battens provide side lighting.
Color and tempo
Price does not go overboard on color, which he says was a design point, instead accessing the fixture’s RGBLAW LED engine to discriminately shade the set and match the video content. “The color mixing is great on them,” he states. “The Lime is nice to see in a fixture like this and makes for a wider color palette, including nice whites.”
The band’s passionate, melody-infused music, a mix of heavy numbers with quick transitions into quieter, more emotional songs, allows Price to use the fixtures in various ways. “I enjoy transitioning from big white CTO looks or saturated color sweeps down into a dark, moody blue, just following the music,” he said. “You don’t need a lot of gobos, just color and tempo.”
Toned intensity
Taking Back Sunday music pairs well with strobe looks, which Price turns to tastefully at medium to low intensity. “They would destroy the crowd at full intensity; they are so bright,” the designer said, noting that he generally runs the SŌLs at 30-35 percent with an end-of-show walk-off look at up to 60 percent. “People are always surprised when they find out I’m running them at 35%.”
JRLX
JRLX’s Reberski is enthusiastic about the SŌL fixture and its inherent possibilities, stating,
“The SŌL I blinder is a perfect multipurpose blinder fixture for JRLX, and we have been delighted with their performance on this tour. The ability to attach any Bowens accessory to the front also increases the versatility in scenic applications!”
Price, who previously lived in Chicago, calls JRLX his go-to vendor and has enjoyed a long-time relationship with the Chicago-based company. “We’ve done a lot of jobs together over the years and really have a symbiotic relationship,” he says, adding that Jason and his team know how he wants things prepped, “so I’m able to give them a spec, and I know they’ll get it right.” That kind of good relationship trickles down to the client, Price says. “They know that they’ll be taken care of.”
The designer concludes by calling the grid of SŌLs a “pixel-mapping dream” and saying that when going into venues, he often meets house LDs excited to see the fixtures. “It's an enticing fixture with lots of possibilities, and I look forward to seeing what others do with them as well.”
Are you Attending InfoComm this year? Visit us at booth W967 to see Elation's newest products in person.
Crew:
Lighting Designer: Eric Price
LX/Video Tech: Ryan Kestler
Stage Manager/Carpenter: Worm
Tour Manager: Andrew Sprague
Stage Design: Eric Price, Andrew Sprague, and Adam Lazzara
Lighting Vendor: JRLX Inc
Video Vendor: DCR Nashville
Staging: Gallagher Nashville
Photos - Salma Bustos (@salmabustos) / Charlie McCarty (@choly1)
